Thanassis Karathanos studied political and social sciences in Athens. In 1998 he co-founded the film production company TWENTY TWENTY VISION in Berlin and in 2003 PALLAS FILM in Hallle. He is member of the European Film Academy and the German Film Academy. Filmography with TWENTY TWENTY VISION: THE MAN WHO SOLD HIS SKIN (Kaouther Ben Hania, 2020) HAPPY BIRTHDAY (Christos Georgiou, 2017) BLESSED BENEFIT (Mahmoud Al Massad, 2016) MA LOUTE (Bruno Dumont, 2016) ELLE (Paul Verheoven, 2016) MARIUPOLIS (Mantas Kvedaravicius, 2016) SOY NERO (Rafi Pitts, 2016) AN (Naomi Kawase, 2015) WEDNESDAY 04:45 (Alexis Alexiou, 2015) THE FAREWELL PARTY (Sharon Maymon & Tal Granit, 2014) SEPTEMBER (Penny Panayotopoulou, 2013) THE HUNTER (Rafi Pitts, 2010) PLATO’S ACADEMY (Filippos Tsitos, 2009) AJAMI (Yaron Shani & Scandar Copti, 2009) RICH BROTHER (Insa Onken. 2009) SMALL CRIME (Christos Georgiou, 2008) RESTLESS (Amos Kollek, 2008) THE DRUMMER (Kenneth Bi, 2007) A PERFECT DAY (Joana Hadjithomas & Khalil Joreige, 2005) JAGGED HARMONIES (Dominique de Rivaz, 2003) HARD GOODBYES MY FATHER (Penny Panayotopoulou, 2002) MY SWEET HOME (Filippos Tsitos, 2001) with PALLAS FILM: IT MUST BE HEAVEN (Elia Suleiman, 2019) FLAWLESS (Sharon Maymon & Tal Granit, 2019) AYKA (Sergey Dvortsevoy, 2018) SMUGGLING HENDRIX (Marios Piperides, 2018) FAMILY (Veronica Kedar, 2017) MACHINES (Rahul Jain, 2016) CENTAUR (Aktan Arym Kubat, 2016) CLOUDS OF SILS MARIA (Olivier Assayas, 2014) WAITING FOR THE SEA (Bakhtiar Khudojnazarov, 2012) OUR LITTLE DIFFERENCES (Sylvie Michel, 2012) INVASION (Dito Tsintsadze, 2012) ALOIS NEBEL (Tomáš Luňák, 2011) MARIEKE, MARIEKE (Sophie Schoukens, 2010) DISTANT NEIGHBORHOOD (Sam Gabarski, 2010) HUMAN RESOURCES MANAGER (Eran Riklis, 2010) THE LIGHT THIEF (Aktan Arym Kubat, 2010) A COUNTRY TEACHER (Bohdan Slama, 2008) THE WORLD IS BIG AND SALVATION LURKS AROUND THE CORNER (Stefan Komandarev, 2008) TULPAN (Sergey Dvortsevoy, 2008) IRINA PALM (Sam Garbarski, 2007) GUCHA- DISTANT TRUMPET (Dusan Milic, 2006) SOMETHING LIKE HAPPINESS (Bohdan Slama, 2005)
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