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Ismaelillo

From shipyards in Bangladesh to the Venetian lagoon, Ismaelillo searches for his place in the world.

synopsis

Ismaelillo is the story of a young Bangladeshi-Italian, por- trayed across time and between Chittagong and Venice. In the summer of 2006, in Chittagong, Ismaelillo, a five- year-old boy, spends his days playing in the village and on the beaches, while Ahmed, his father, a former fisherman now working at the world’s largest ship-breaking yard, dreams of a better future by migrating and joining his brother Salim in Venice. A sudden accident ruins this plan, separating father and son irreparably. In 2026, in Marghera, Venice, Ismaelillo is twenty-five and employed in Salim’s team at Fincantieri, one of the world’s major shipbuilding companies. He is tall and lean, with a deep gaze and a bright smile. He lives with his uncle and spends his free time listening to music, steering his small boat with friends through the lagoon, and helping Mario, an aging local boat mechanic and former fisherman. After a romantic encounter with Priscilla, a young working-class Venetian who rents apartments to tourists, and upon discovering that she is preparing to leave for Mexico to pursue her aspirations, he begins to question whether the dreams he inherited are truly his own, and what he really wants from life.

Director’statement

I grew up in a family shaped by multiple languages, cultures, and geographies. From early on, I asked myself what “home” really means, and to whom I belong. These questions became the core of my artistic work, rooted in themes of identity, exile, and belonging. Ismaelillo was born from my immersion in Marghera, Italy, where the Bangladeshi community is deeply rooted and where Fincantieri, one of the world’s largest shipyards, employs thousands of migrant workers. The story unfolds mostly here, in a working-class, multicultural Venice, while resonating with another landscape: Chittagong, Bangladesh, home to the world’s largest ship-breaking yard and the place from which many workers come. This duality fascinated me: as ships are dismantled in Bangladesh, identities fracture through migration; as ships are built in Venice, new identities take shape. Through Ismaelillo, the film portrays many young Italians today, suspended between roots and future, seeking a sense of belonging. Ismaelillo aims to be a personal and political film, questioning what Italian identity means today.

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