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Merkin

A young Victorian merkin maker faces a dilemma to honour his father’s legacy or find his own destiny.

synopsis

1861. Theodore Paine has just inherited his father’s merkin-making business. Being on the brink of adulthood, all his body wants is to explore his sexual urges, but puberty has to be put on hold as Theodore tries to fill his father’s shoes and continue the centuries-long legacy while taking care of his family. The pressure is immense, and he lacks some crucial skills in the customer relationship department – a.k.a. having a boner every time he is exposed to a nude female body, which is literally every day in his line of work. Convinced he can’t change his destiny, he believes he has to get an heir for Paine & Son, and it must be a son born within a legitimate marriage – hence his quest for a perfect mother and wife. With his business in crisis and impending bankruptcy, Theodore considers closing down his shop, but a group of feminists fighting for sexual empowerment protest to keep it open and their affairs intact. The group is led by Josephine Lemon – an upper-class lady who is determined to fight for women’s freedom and swears off marriage. In her, Theodore finds an unexpected business partner who handles the PR matters and challenges his beliefs about what a woman could be. As their partnership deepens, he begins to question whether his destiny might include her…

Director’statement

Merkin was sparked by a single photograph: a reconstructed image of a 19th-century merkin craftsman by Stephen Berkman, inspired by Shimmel Zohar’s original work. This photograph captivated us so much that we immediately began imagining the life of the young man in the picture, and from that Theodore Paine was born. Merkins were used to conceal shame as they were often meant to cover the aftermath of affairs – pubic lice, syphilis, etc. So, we want to strip away the glossy façade of 19th-century romance and reveal its raw underbelly – where intimacy, repression, and societal expectations collide. This world isn’t all masquerades and poetry: it’s messy, smelly, and flawed. Yet beneath its filth, there’s a tender core: longing for connection especially when your life expectancy is short. This show is meant to be a fun take on tough times when people got poisoned by drinking water or choosing their dress to be emerald green; when every glance had a secret meaning and you could sext by sending a flower arrangement.

TFL PROGRAMME:
SeriesLab 2025

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