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A Summer Tale

A late bloomer battles a new rival to stay the funniest Asian kid – and win his crush’s heart.

synopsis

Summer 2006, 13-year-old Indonesian-German Siegfried is the only Asian kid in his school and the only boy who has not hit puberty yet. When his biology teacher explains that it is normal for a kid from “the third world” to hit puberty later, Siegfried blames his Indonesian father Jojok for bestowing him with bad DNA. Trapped in the body of a child among his tall white classmates, Siegfried is desperate to fit in by playing the class clown and in order to impress his crush Charlotte, who is a full head taller than him. But when a new classmate arrives at the end of the school year, Yuan, a Chinese-German boy who is much funnier (and even shorter) than Siegfried, Siegfried is suddenly confronted with a mirror, reflecting his own otherness back at him. After Yuan also voices his interest in Charlotte, Siegfried projects all his internalised rage at him and drags the new kid into a competition to defend his position as “that funny Asian kid”.

Director’statement

I have grand ambitions for this film. I want it to tackle internalised racism. I want it to tell a story in which a young protagonist learns to de-assimilate himself and eventually overcomes his desire to “be German”. I want it to be funny, but not only that; I also want it to talk about funniness and how deep-seated shame can make us want to turn ourselves into the butt of the joke. In short, I want nothing less but to have this film elevate the genre of teen sex comedies to capital “A” Art. Comedy is not something us Germans tend to do well. Thankfully, I’m also Indonesian. I see this as a great asset now, but as a teenager I just wanted to be like everyone else. My father named me Berthold, because he wanted me to be as German as possible. But in a way this backfired on him, because I became so German that I could only see him through that lens of xenophobia that he tried to protect me from. I wish a film like this had existed when I was a teenager to help me make sense of all these complicated emotions. But given the political currents, this story is even more relevant today.

TFL PROGRAMME:
ComedyLab 2025

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