This story emerged from watching my grandfather lose
his memory and the realisation that, one day, my father
might no longer recognise me. In this second film, I
return to my desire to explore important themes through
a lighter tone. My first feature, Cherry, dealt with an
unwanted pregnancy; here, the focus is on end-of-life.
The film opens in the valley and ascends to a summit, a
visual crescendo that mirrors Véro’s transformation as she
steps outside her comfort zone. I envision an aesthetic
approach to comedy, with carefully composed wide shots
and a camera close to our characters and their emotions.
The role of Véro offers a wonderful opportunity for an
actress who has been less visible on screen recently.
Women deserve to be seen beyond fifty, an age at which
they often disappear from sight. I see Grizzly as a poignant
dramedy filled with twists and heartwarming moments,
featuring not only Mike and Bernard as supporting
characters, but the mountain itself.