The Electrons is a movie about forgiveness. Besides being a gentle, soft, intimate and bitter-sweet love story about an elderly couple, and the husband’s attraction to a young girl (somewhat along the lines of Away from her) it is also an excellent opportunity for style exercise.
Hopefully throughout the four emotional reflections of Imre, I will have the chance to show audiences a coldish, snowish-gray Budapest story, the touch of a colourful, young and energetic Rome, a hot, dry and documentaristic Belfast summer, and a really warm, human, melancholic Paris.
The “episodes” are organic parts of the whole story: the first three are steps, bricks in the structure, that lead to the plot of the 4th one, the last film in the film – which is the actual prequel to the “big” story.
The switching of the point of views of the dead husband (through his diary and short stories), and of the investigating wife is another great dramatic opportunity.
As a writer-director, I am really interested in good stories, in character development, and in moral victory (or sometime: defeat) - this has them all. This is not just one emotional roller-coaster ride - it is a whole theme park…