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Mothership

An opportunistic artist joins a billionaire’s fertility programme and lands in an ethical minefield.

synopsis

Mothership follows Thea (33), a performance artist in Brooklyn, as she joins a mysterious new fellowship for high-achieving women. The fellowship supports couples on their parenthood journeys, providing fertility treatments, boutique mentorship, private education, and above all, highly generous monthly stipends for two decades. The catch? The anonymous billionaire funding it all is also the baby’s sperm donor. Thea is an aggressively unsentimental pragmatist, who finds the mere notion of being called “mama” cringe- worthy. Like many in their millennial milieu, she and her boyfriend Kohji have avoided the subject of having children, focusing on other pillars of achievement first: a PhD, a cute apartment, artistic fame. In the light of this new opportunity, a baby suddenly seems like their key to financial freedom and personal success. While some part of Thea suspects that this might be a devil’s bargain, she considers herself too savvy to be exploited... right? Over the course of her pregnancy, Thea finds herself caught in a surreal world of parenting gurus, designer babies, and libertarian tech moguls with God complexes. As ethical boundaries are crossed and her relationship begins to buckle, Thea’s attempts to control her fate grow ever more tenuous.

Director’statement

Every generation believes they are living in the end times. For me and my peers, the current threats of AI, climate change, and capitalism’s doom spiral loom over our decision to become parents. Having children often feels like a statement about one’s belief in the future, and whether humanity is even worth saving. In recent years, the plutocrats of Silicon Valley have begun investing in technologies to ensure the survival of the human species: spaceships to colonise Mars, artificial wombs, gene editing, embryo selection. While they claim lofty ideals, these tech billionaires also appear highly preoccupied with perpetuating their own gene pools, through whatever means (and mothers) available. Mothership oscillates between existential dread and dark humour as Thea grapples with the repercussions of her choice to enter this dangerous world. Her increasingly unreliable narration reflects our capacity for self- justification in the face of our own hypocrisy. I aim to evoke the cognitive dissonance we experience daily, trying to live principally in a world that often feels apocalyptic.

TFL PROGRAMME:
ScriptLab 2024

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