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Shifting

You will know yourself only through another person.

synopsis

Davide, a shy and troubled 21-year-old guy, moves from his narrow Southern town to Northern Italy, in order to change his difficult life. In Turin he is in need, has no place to go and has to make it on his own. By chance he’ll find himself living with a tough and sullen 84- year-old man: Emanuele. The old man, because of his disease, is forced by his daughter to house Davide, but he’s very possessive of his home: this will be the shared territory for these two lonely strangers’ conflict. Davide wanders through suburbs harshness in search of a job, a life and himself… Disoriented, he’ll start meeting women. Maya, an Indian-looking 24-year-old girl, will take him to heart. The discouraging relationship with Emanuele will slowly turn into something unexpected: a gift that will give Davide new understandings; a different viewpoint to his young existence. Perhaps he will unburden himself to someone, leaving his fear to trust: Davide will be aware that his life finds a sense only by truly relating to other beings.

Director’statement

Shifting deals with imaginary motion of souls from person to person. The reason behind this film is the time I spent with my grandfather: it deals with the missing sense and the idea that some people, even unaware, can deeply mark our life. In a longing for youth society, oldness is a value, a treasure, an amazing beauty that nobody looks at. Old age can bring truth and wisdom, especially to a boy who’s learning to live with nobody to rely on: it’s about the need to have a friend, a master, a companion, an enemy, an example and an affection; a memory to carry… But old age means loneliness too: our world often leaves weak people drifting alone. This is the story of two of these solitudes that meet; but it’s also the crash between two outcasts belonging to such far and different worlds. Unlike what this kind of story suggests, the tale is led in a very sober way, among many sub-plots and without any judgement; it’s pushed forward not emphasizing events, but making their inner strength vibrate. Music plays a soft and hidden role. It feels like it’s not the narrator, but the story to leads us, as if it was an unavoidable flow of accidental events, not driven by a purpose-built narration.

TFL PROGRAMME:
ScriptLab 2008
Discover more details here:
Download
PDF
TFL Catalogue 2008

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